IllumiNate Doesn't Just Rock Mics...He lights 'em up
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Name: Nate
Location: Chicago, Illinois, United States
Birthday: 10/3/1989
Gender: Male


Interests: Hip-Hop, All Music, Poetry, and Your Mom
Occupation: Artist
Industry: Entertainment


Message: message me
AIM: UnTimelyPoetick
AIM: CheSocialRevo
AIM: BigNate1107
MSN: Tha_illest_MC@hotmail.com
Yahoo: bignate1107@sbcglobal.net


Member Since: 4/22/2005

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// Whitney Young //
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Backpackers for the Advancement of Hip Hop
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c/0 'o8 Whitney Young
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Chicago Teen Writers (Poets and MCs)
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Slam Poetry
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Friday, September 23, 2005

I made this collab with this cat Jose from TF North's Poetry Slam, you know you love it. I'm in bold and he's not.

 

 

Strictly Business

 

The ship arrives, and right away the slaves trudge to land   Each one seemingly identical

draped in chains they limp halfheartedly hearts as cold as their stone faces

The buyers sit impatiently in the audience with wallets fatter than their bellies, this is strictly business

each discerning eye fixated on the carbon copied line of ebony-ed Adonises, "Which shall I take home today?"

And now the Auction starts, the slaves all waiting to be sold, smiling selfishly, sales mean money, sales mean money, I am money!!

Black men posted up on trading blocks...playing to perspective owners worst sensibilites

They start bragging about the money they have, the diamonds they own, no sense... they're about to be sold

and then we begin, with slick white men stepping up to place bids

"Tonight we need our next big thing."

"We need us the toughest, biggest, baddest negro we can find."

up steps that strong duragged stereotype stereo-banger...

the type to...throw folks up in the burbs

the stuff of...lost dreams up on the curb

made by tribal warfare fought on cold cement streets.. taught to have no feelings... feelings are for the weak

next up we have that perfectly fitted, Tall T'ed terror of the town

disillusioned to believe in flight like fresh air forces

engineered to create fear, Pants falling off exposing hints of crack

breeded to be those big negroes, Uncle Tom with a tommy gun

And suddenly the white folks become animated Create a mosh pit at the auction block Start shoving contracts at people

"You do hereby solemnly swear to give up all your creative freedom as an artist and make music that represents no one"

Illiterate wonders mark Xs making a travesty of Malcolm's legacy

Smile because they believe they got the best of the deal

This lynch mob, finds a new place to hang chains, on necks who gang bang,

hip-hop 101.

Rule number one: As an emcee you must always act like a God, no one is on your level, nor can you be held accountable by the law

Rule number two: break your back for whips, rocks on your wrist supplied by rocks in your hand

Rule number three: Degrade women, act like you never had a mother, but then make corny love songs so that they adore you

Rule number four: originality is fatal, come on and give the people what they want,

even if it kills them.

Screw what they need.

This is strictly business.


Saturday, September 17, 2005

Let's be real for a second...

ripped from the rhymebook...

She said we’re breaking up and she just wanna be friends

At first I wanted to cringe; now I want it to end

So I can send dirty texts and chirps unto the next twirp

That I wanna work to undress her skirt

I’ll flirt, with them chicks that been all on my brain

And every thick hipped chick the been callin’ to stain

Mayne I rock hard when I rock bars

Only cat wit’ a backpack that’ll mack like a rock star

Or a dope boy, when ya’ dope, boy

It’s hard to imagine ever bein’ taken for a dope boy

But it happens, say it don’t, liar

So I gotta chill, try to shake it off like Mariah

Butterfly… but I’m flyer

And I like hot chicks so I’m quick to the next fire

Mic Schwarzenegger, dog it’s all in the flex

Girl’s started to vex, ‘til I got my next callin’ me next

 

nobody take this personal or anything, it's a damn verse


Tuesday, August 23, 2005

I know I left y'all too long but I'm back and I got one for y'all..

Sincerely,

Nate

 

I’m writing to you…

To finish the letter that my mother wrote,

Or at least to give it closure.

I was never sure what to say to you,

Hardly knew what you looked like

Mommy never let you around much after I came around.

But I feel compelled to write this letter to you,

Because I’m the man of the house,

Because of you.

So now that my momma has recovered from your lies

After they made us lie, so low, I felt like I should show you how I felt

In hopes that you would care…or at least apologize halfheartedly

You were always the one I’d hide pictures of as a little boy when friends came to play

Not because I hated you…or even knew you who you were

But because I didn’t want them to ask questions,

Because then I would have to.

I had to convince myself that everybody was like us

That we weren’t the genetic misfits

And fittingly…hip-hop became my haven

As street stories blasted through speakers.

I nodded my head in recognition, that we weren’t the worst ones!

Bankhead bounced to affirmations of my own self worth

Simply because other’s selves were worthless

And I witnessed graffitied downbringings of you

And I had to skate around them with humor or hatred

In hopes that no one would ever think to ask…

“What do you think about the matter?”

And when they asked me what’s the matter

I said nothing, when in truth I just didn’t know

But a child’s world sees no shades of gray and leaves no room between no and yes.

So I confess…that there was something wrong

And it was partially your fault,

But I don’t hate you…I’ve accepted you as lesson in life

And I love you because you did have a profound effect on who I am

And I felt the need to say…

As the world D.A.R.E.’s to throw stones at you

As you once did to them.

I will not cast one,

Because it is after all, at the end of the day.

Our choice.

And I just wanted you to know that you can never count me among your allies

But also never among those who place blame squarely on your rock steady shoulders

And my mother doesn’t miss you…but I felt like she needed this closure.

And maybe I did too.

 

Dear Crack Cocaine,

 


Sunday, July 17, 2005

choice.

 

I wear my culture on my cuff

Not because I was given a choice

But because in eighty degree weather

Wearing long sleeves is just weird

And a scorching sun takes every opportunity to

Make me more beautiful

But not beautiful in the senses that we hold

Senses that give my chubby little sister little complexes about her bathing suit

Even though she loves to swim

Senses that give girls ample reasons to starve all parts of themselves except their chest

Unless, they are represented by those two twelve percents

Who include the gluteus among those fat refugees

Because you know how us border hoppers and brothas love that ass.

 I wear my culture on my cuff

And in the course of an afternoon

I take a one tone step back into a field

From a house built on a two-tone foundation

High-yellow and darkie.

In the course of an afternoon

I find myself running from rays as fast as white folks run to them

To keep myself in the percentage of us who can get dates on the regular without hollerin’ at a heifer who’s tryin’ to reaffirm her own blackness.

I wear my culture on my cuff

But not in the form of motherland wristbands

I wear it in the form of god’s ink stain on existence

That I prefer to call the original tint of all men

But has since then, through the dilution of rapists

Come to be known as

Caramel.

I wear my culture on my cuff

Not because I was given a choice

But because I have a responsibility

To be all the black man that I can be

and less the demagogue which we are all amounted to.

I wear my culture on my heart

Because I wear my culture on my cuff

And even with all the white bread white collar good ol’ boys in blue

Pseudo KKK members

I would have it no other way

Because

I wear my culture on my heart

Because I was given a choice

 


Saturday, July 16, 2005

Gravity Night

 

Leap of Faith

Heel,

foot,

heel,

foot.

Break off the metronome.

Fall on moving materials,

don’t stop.

Scully spin,

flip kick,

flip kick,

human BMXer.

We fracture floors.

Afrika Bambataa is our martyr.

Keep pace,

dance in ways

handed down by ancestral tribes.

David’s stars,

We are the chosen people

As we,

cradle grooves.

The way a,

dreidel moves.

We,

play it smooth.

So to,

Show and prove

So tonight we jump but we won’t fall down,

and pull stronger than the Earth ever could.



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